Abstract
This essay deals with the reading of La marcha hacia ninguna parte by Mexican poet and essayist Tania Favela Bustillo. The proposal is to investigate a contemporary poetics –scarcely studied– that border on the experimental and represents a risky bet in current Latin American literature. In the first part, it is postulated that this text is positioned from a situation of drift, both in its textuality and in its polyphony, key elements that drive the creative search of the Mexican writer. Secondly, it discusses what this drift implies from a psychogeographic viewpoint, based on Guy Debord's “Theory of Drift”, and as an antihegemonic inquiry, based on Gilles Deleuze's concept of multiplicity.